Leaf Spirits
These sculptures embody the quiet magic of the forest, each figure cloaked in leaves and crowned with natural forms. They exist somewhere between human and spirit, guardians of woodland myth and memory. Drawing on folklore and the symbolism of nature, they invite us to imagine beings who watch over the forest and whisper its stories. Each one is unique, created with real leaves and organic materials, preserving nature’s fragility in sculptural form.
Forest Totems
This totem, formed from moss, lichen, wood, and clay, stands as an anthropomorphic guide into the forest. It merges human presence with the symbolism of wild nature, inviting reflection on what it means to be human by confronting what is not. As a mythological being, it asks whether a forest — as a collective, living entity — might possess a consciousness of its own. The work embodies spirit, myth, and ecology, encouraging us to reconsider our relationship with nature and the urgency of returning to it. In this sense, the totem becomes both guide and reminder: a being we might trust to lead us back into balance with the natural world.
Botanical Mobiles
This series of mobiles captures the lightness of nature in motion — flowers, leaves, and natural forms suspended in delicate balance. Each piece plays with gravity and air, turning fleeting organic beauty into a floating sculpture. Both calming and contemplative, these works invite viewers to pause and experience nature’s elegance as it drifts quietly through space.
Mother Totems
These wooden sculptures reclaim the maternal figure from centuries of objectification. Rather than presenting women as passive symbols of fertility or beauty, the forms are pared back and elemental — refusing the male gaze. Carved from wood marked by knots and scars, they embody the maternal as a force of nature: nurturing yet fearsome, life-giving and destructive. In this way, the series reframes motherhood not as an object to be looked at, but as a subject of power — integral, untamed, and essential to survival.
Wall Art
These framed works preserve fragments of woodland — bark, moss, lichen, and sticks — arranged as minimalist compositions. Each piece captures the quiet textures of the forest, celebrating surfaces often overlooked. By isolating these natural materials, the works invite a slower gaze, transforming ephemera of decay and growth into contemplative objects. They become both specimen and artwork: part archive, part meditation on impermanence. In presenting these fragments of forest life within a frame, the pieces ask us to consider how nature is preserved, remembered, and reimagined in human spaces.
